Sally Kindberg’s visit to Cornwall

My tiny Penzance bedroom – more like a ship’s cabin than a B&B room – overlooked the sea. The sea lured me out every morning despite the wet, grey weather, and I was fortified by a delicious breakfast. Everything is homemade, and my breakfast plate was decorated with sprigs of edible flowers from the garden outside.  Walking to nearby Newlyn takes about ten or fifteen minutes along the seafront, accompanied by the rhythmic breath of the sea, the little town of Mousehole in the distance. I passed a Newlyn window with an Alfred in it.

Newlyn is a busy fishing harbour, with around a hundred fishermen spending several days at a time offshore.  I met and chatted briefly with one of them who’d been out at sea for five days. It’s my life, he told me.

As well as the fishing harbour there’s a small cinema and the Newlyn Art Gallery, which has a little cafe – always a plus in wet weather.  Its last exhibition, ‘Social Fabric’ was just finishing. I was intrigued by this work by Celia Pym, a jacket belonging to film star Vivian Leigh given to Pym by film director James Ivory, who’d stored it since 1965.

There was a table in the gallery spread with pins, scissors, cloth fragments and coloured thread.  No one else was around. I spent a short but happy time assembling a picture. Thank you Newlyn.

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Sally Kindberg in Cornwall

After a damp few days eventually the sun came out and I walked through Penzance to Marazion, using the coast path along the side of Mounts Bay, once the site of an ancient forest. I called inland at Gulval church en route, lured by the sound of church bells, and was welcomed by its small and friendly congregation.

Gulval lies on St Michael’s Way, an ancient pilgrimage route running from Lelant on the the north coast to St Michael’s Mount in the south, over Trencrom Hill, site of an Iron Age hill fort, which I’ve walked in the past.

I’d used the wet weather to explore by bus, taking one to St Ives, visiting the Tate, and my old haunt behind nearby Porthmeor beach, where self-taught artist Alfred Wallis lived in a tiny cottage, using marine paint on bits of cardboard or any other surface (including a pair of bellows and a tin tray), whilst mourning the loss of his older wife.

Alfred was admired by much more financially successful painters of the time (for example Ben Nicholson), who nevertheless allowed him to die in poverty. Alfred was apparently a very deaf and grumpy character.  I sympathised as I am partially deaf.  And occasionally grumpy.  I wondered what he would have thought of his paintings being reproduced on tea towels and fridge magnets by the Tate.

I took a photo of his ‘Blue Ships’ tea towel on Alfred’s old windowsill, then asked a stranger to hold it up so I could photograph it.  We got into conversation. ‘Of course you have to be a bit mad to be an artist,’ said the young stranger.

 

 

 

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Sally Kindberg and the House of Mysterious Objects

Swedenborg House, the 18th century home of the Emanuel Swedenborg archive, is a house full of mysterious objects.

More than one hundred years ago this house in Bloomsbury, London became home to all things related to the 18th century polymath, including, amongst other things, his walking stick, a tiny piece of his earbone, a puzzling skull and a piece of blotting paper used when he was writing his Book of Dreams, using a feather quill and pot of ink.

But what did the house signify to its visitors? Last week, at my most recent workshop event there, I supplied a cut-out-and-fold simplified paper facade of the Bloomsbury house. Participants, aged between two and seventy years old, did the rest … filling their paper houses with drawn/written impressions and ideas.  Iron Man made a surprise appearance.

The fragment of Swedenborg’s ear was mysteriously absent that afternoon, but we could look at a model of an ear and use that for inspiration.  When not drawing and cutting out, it was possible to listen to intriguing whispers coming from a cupboard, using an ancient hearing trumpet, similar to one Swedenborg had invented.

 

 

 

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Sally Kindberg and islands

Islands are like magnets to me. Some I’ve visited because I was commissioned to write about them, or run workshops on them, others simply because I was curious. Sometimes my notes stay in one of my drawing books, biding their time before they emerge, perhaps in another iteration, or woven into another story. The stamp featuring Jean Grey was a chance find. I didn’t really know who she was, but apparently she has special powers, which I wish I had too.  Jellyfish appear on the Hven (aka Ven)  drawing because I went swimming  from one of its beaches.  I’m terribly shortsighted, and suddenly realised I was surrounded by a crowd of beautiful jellyfish, swimming alongside.  Luckily the non-stinging type. Or maybe it was island magic. After all, the island, floating in the Oresund between Denmark and Sweden, had once belonged to a 16th century astronomer and magician.

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With the Society of Authors outside Meta’s London headquarters

Last week showing solidarity with other authors outside Meta’s HQ in Kings Cross.

 

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Sally Kindberg and some family photos

A week or so ago I was sent a copy of this photo of me with an older sister (top right) and two cousins.  It was taken in my Nottingham grandmother’s garden I think. She also had a large dressing up box in her ‘haunted’ attic. A tiny and sickly child, I was sent briefly to stay with my aunt and uncle in Skegness for a few days.  I was in heaven as my cousins, seen here, had copies of just about every Dandy and Beano annual.  I was later mortified during that visit by my falling into Skegness boating lake and being rescued by my boy cousin (here wearing a blonde wig). He then carried me, dripping wet, back home on his shoulders.  What a hero! I found his father, my large uncle, rather terrifying.  In charge of Skegness lifeboat and a keen birdwatcher, he blew on a hunting horn before his dinner. In a good natured way, my aunt assured me.

This is my mother with two of her dogs. She once told me she had named me after one of them.  My mother hated any form of domesticity, loved dancing in her youth, especially the tango, and rather liked babies.

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Sally Kindberg and the House of Mysterious Objects

Another workshop event at Swedenborg House on April 16th. Check their site to register for a free ticket.  You could bring your own mysterious object to draw, although there are plenty of mysterious things in situ.  You could also could bring a friend. For ages 6 – 100.

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Sally Kindberg and a happy school visit

Last week I visited an infants and junior school in Windsor. Recently my school visits have been to Sixth Forms, running workshops for the Royal Literary Fund encouraging writing skills, although in the past I have run many workshops in schools and other venues. This visit was with a much larger group of very lively younger children! I went through a slide show of some of my work, emphasising the importance of having curiosity and of reading as much as possible, telling the school assembly how I had been a very late reader. I just didn’t get it, until I was about seven or eight. Then I couldn’t stop.Then, volunteers from the audience pulled faces showing different moods.  Children drew them as characters and gave them a voice.  No actual cats involved.

Just a small sample of the wonderful drawings made that morning by a group of fifty or so.  Early the next day a box of flowers was delivered with this card – how lovely!

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Lunchtime excursion 1 – tennis soup

There were two types of soup at the tennis club cafe – lime green and bright orange. They tasted the same.  The occasional sound of laughter and lovely plocking of tennis balls outside made up for the dreadful soup.  I wondered about the identity of the owners of the two racquets on the wall.

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Tricky Tricks

Yesterday experienced a bit of nostalgia … for when the world wasn’t quite so bonkers, and when you could actually go and visit a publisher with an idea and some pictures after talking to them on the phone. The publisher said come round but you must demonstrate how at least two of these tricks work.  My list  included Tangle Torture, Stuck to the Floor and Unexpected Goose.  I did the demo but one of the tricks went badly wrong (the publisher was  … briefly incapacitated), so I expected the worst.  Tricky Tricks was commissioned the following week.

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