Snow Ghost

 

In May 2025 a BBC2 programme showed a venue called SantaClaus Village in Rovaneimi, Northern Finland, on the Arctic Circle, where tourists could visit Father Christmas all the year round and meet his attendant elves.  The unusual thing about this theme park – it’s built over a huge military bunker, where Finnish citizens can take shelter should war break out.  Since Finland joined NATO in 2023 there’s been an increase in Russian military activity on the Finnish border.  During the TV programme a selection of Finnish soldiers were interviewed, all of whom showed determination to defend their country if needed.

The programme stirred memories of Mr K, an elusive Finn who married my mother at a Devon registry office just before WW2.  Did she wear her special Finnish skirt, a present from Mr K?  There are no wedding photos.  My mother lived in a house overlooking a beach, next to a hotel then famous for its sprung ballroom floor.

Both of them enjoyed dancing the tango. I hope they had time to dance together before Mr K went back to Finland, where he later fought in the Winter War, in temperatures sometimes of  -40 degrees, defending the Finnish border against invading Soviets. In the spring of 1940 he became a Snow Ghost. These bare outlines are part of a slow work in progress in graphic form. Only a few (water stained) letters from Mr K to my mother still exist.

 

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Sally Kindberg and Palmers Pet Shop in Camden Town, London

Not far from London Zoo is the facade of what was once a famous pet shop.  It claimed Winston Churchill and Charlie Chaplin were its customers but who knows? Now it’s one of the ubiquitous Gail’s Cafes.

I saw neither the monkeys nor talking parrots before it was transformed into a cafe, but years ago was intrigued by the shop’s upstairs section.  It was up a narrow staircase, and had a sign saying children must be accompanied by adults.  A pale, bald man was in charge there.  There were huge African snails and a deep freeze holding an assortment of shrink-wrapped piglets.  ‘To feed snakes,’ he explained.  He told me a young man had tried to steal a large tarantula, concealing it under his coat, but didn’t make it downstairs.  ‘The tarantula’s hairy legs can cause a skin reaction.’ he said, ‘the thief started wriggling and dropped the spider before he made his escape.’  The tarantula was unhurt and unfazed apparently.  Although how can you gauge a giant spider’s mood?

The drawing is from one of my Draw It! books.

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Travels in Space

Although not yet an astronaut, I have drawn and written about them.  Curiosity about space travel started early on.  As a child I was a big fan of the exploits of handsome ‘pilot of the future’ Dan Dare in the Eagle comic, invented by artist Frank Hampson.

I had ambitions to travel, preferably into space.  My grandmother had a radio she hardly ever used, under a table in her dimly-lit drawing room. I was about  seven when I discovered it, and being extremely small for my age, could easily slide under the table, transforming its dark and dusty underbelly into a cabin of possibilities.  By turning one of its  knobs, the radio would gently began to hum.  A faint golden glow suffused the dial, illuminating the words Prague, Vienna, Moscow, Lille, Vatican City. By twisting another grooved knob, a quivering needle on the dial veered jerkily through space and time.  When pressing my face into the coarse and dusty fabric covering the radio’s speaker, I was able to listen to the soft babble of mysterious languages, and felt an impatient curiosity to visit these remote locations full of strangers.  Might they belong to far away planets?

Later I listened to episodes of ’Journey into Space’ on another equally impressive radio.  It may have been something glamorous like a Tesla Talisman or a Sonara Sonorette, although my grandmother’s was probably something large though more prosaic like a 1950s Bush for instance, perhaps a DAC90.

In 2006 I met Alan Bean, Apollo 12 astronaut, when he briefly visited North London’s Roundhouse.  Titled ‘First Artist of Another World’ Bean’s paintings are of his lunar experiences, sometimes incorporating moon dust in his work, or using impressions of his original Moon boots to add texture to them.  Although he was only the fourth person to walk on the Moon, he told me, he was the first to eat spaghetti while there.

In 2019 a Cambridge friend invited me to a small Christmas Eve celebration, at the house of Martin Rees, then Astronomer Royal. It was a gathering of academics, friendly enough although one of them, an anthropologist wearing a complicated woven hat, looked carefully at me and said: ‘You’re not one of us, are you?’ I had a copy of the ‘Comic Strip History of Space’ with me, a children’s book I’d illustrated some years before, and encouraged by my friend, rather cheekily showed it to Martin.  At the time I didn’t know that not only was Martin the Astronomer Royal but an astrophysicist, cosmologist and a founder of the Centre for the Study of Existential Risk amongst other things.

Martin was charmingly enthusiastic about the book, which I signed and gave to him. He emailed me later to say he’d lent the book to a very young rocket designing neighbour. Whilst chatting at his Christmas party, we discussed the possibility of future space travel and discovered our shared childhood admiration for Dan Dare, his crew and their adventures exploring the galaxies, although neither Martin nor I were fans of the idea of space colonialism.

See travel features for newspapers and magazines on my website 

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Sally Kindberg’s workshops for all ages (and a little film)

Sally Kindberg’s Family Day workshop at the Guardian

With thanks to artist Michael Challenger who made the video and to Roland Denning who extracted this clip.

A few of my many workshops for all ages …

My workshops are varied, often involve making comic strip stories, but all of them encourage participants to be confident and creative, whatever age or ability, and have fun along the way.  Drawing, writing and making are super important, relevant to having ideas and problem solving! Some of the workshops relate to one of the thirty or so children’s books I’ve written and/or illustrated, or are specific to a particular venue, for example schools, and book, science or poetry festivals.  One event recently was at London Zoo. Exciting to meet a keeper who looks after the bactrians, two my favourite animals.

And more here

I also run ‘improve your writing skills’ Bridge workshops in Sixth Forms for the Royal Literary Fund 

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Snowy

Years ago I worked part-time at a Camden bookshop, before having my first series of children’s books published by Grafton. The bookshop is long gone, its site now occupied by a Tortilla takeaway.My Saturday task was to cash up the takings, put them into a leather satchel and post it into the night safe on the wall of the next door bank.  Another member of staff was supposed to come with me and watch my back as I deposited the satchel, but didn’t that night for some reason.  Camden can be a lively location, especially on a Saturday night.

Suddenly I felt what seemed like a gun stuck in my back. ‘Hand over the bag!’ said a gruff voice behind me.  I was a bit tired after a long day dealing with occasionally awkward customers, so I whirled round and swore (rather inventively I believe) at the would-be robber.  ‘Hey!’ he said, backing away, ‘Only a joke!’ and ran off. I was furious but shaken.  My slightly battered cardboard cut-out of Snowy (and one of Tintin too), once in the bookshop window, was given to me when I left working there.  Only rarely do I  think of that scary event, and what might have happened if the robber really did have a weapon. Snowy lives in my work/bed room, a positive if only cardboard companion from the pages of the marvellous Tintin books.Page from one of my many notebooks recording an excellent Snowy lookalike competition once held at Somerset House.  I can’t actually remember who won, but maybe not the human entry?  Who knows.  Do contact me if you or your dog entered!  Woofy!

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Pantomime time … oh yes it is!

This week I was invited to an extraordinary pantomime performed by the Fitzrovia Community at the Soho Poly directed and written by multi-talented Lucia Jaffer, who’d formerly asked me to run workshops at recent Fitzrovia Fetes.

‘A Curious Dream’, inspired by Lewis Carroll’s Alice in Wonderland involved members of the Fitzrovia community including eighty year old John Hibbs, (‘I’ve always wanted to be a pantomime dame’), costume designer extraordinaire who’d made outfits for the stars, including Diana Dors.  The cast list also included a local Labour counsellor playing the Mad Hatter.

My only contribution to the event, apart from being an enthusiastic audience member, was carrying two giant toadstools from the theatre back to the Community Centre, where there was a splendid tea party.

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‘Workshops/explorations’ article in the sixth Swedenborg Review

Congratulations to Swedenborg House on the publication of the sixth Swedenborg Review. Delighted that it features my ‘Workshops/explorations’ article, referencing some of the SK workshops held there. More to come!

More about these and other workshops in different venues here.

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Sally Kindberg’s pinboard stories

One of my slowly evolving pinboards whose objects all have a story to tell.  Objects include …

Various badges and votives, including my original I-Spy Today added a Farage comment badge

A plastic doll’s arm found on a walk on a remote track in the Alpujaras.

My City of London Guide badge.  Although qualifying in 2006 I haven’t yet practiced as a guide, but have written and illustrated a book about London, and written features for Cityguide Magazine.

Earring belonging to my late husband

Piece of a saint’s Elastoplast

Tall Ships medal from my 1998 voyage from Falmouth to Lisbon (commissioned by the Independent newspaper)

A packet of Mock Tudor designed by Marcus Oakley

An engagement ring presented to me by a crime writer who’d just bought it from an Argos outside of which he proposed. I declined his offer btw.

Some legal red tape

Various hand images including one from my Handbook of Hopes and Dreams

A snippet of Elvis Presley’s hair (honest, guv) in a badge sold to me on the South Bank of the Thames

Making pinboard assemblages is great fun. See some  commissions in the past. 

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Sally Kindberg and workshops, some involving a Hat of Surprise

It’s not as if I usually wear my Hat of Surprise, but this hat is sometimes an important part of one of my many comic strip workshops, including those at schools, the Institute of Physics, the Guardian, Ledbury Poetry Festival, Swedenborg House, Isle of Lewis, British Science Festival, Beijing Bookworm Festival, Shetland Wordplay, Fitzrovia FeteLakes International Comic Art Festival, Canterbury University of the Arts, at London Zoo and many other venues.

The workshops encourage participants – from ages three to eighty so far – to make a visual narrative, or simplify complicated information in a clear and engaging way, with an emphasis on humour and/or surprise. The Hat of Surprise contains helpful written or visual prompts for each person to pick at random, for them to turn into their very own visual sequential narrative aka comic strip.

Why this style of hat? It has associations with magicians, a hat that conceals, then transforms or reveals. My events enable participants to increase their creative powers, develop personal confidence and even have fun.  Check out my website and blog for info about some of the thirty or so of my published children’s books, and much more.

Contact me for more information if you’d like me to run an exciting workshop for you in 2026.   Here’s one of the  favourite books I illustrated.  More adventures to come, although possibly not in space …

See my article about ‘Workshops/explorations’ in the latest edition of the Swedenborg Review, Winter 2025.

 

 

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Little Tich’s boots, coincidences and connections

One day earlier this year I got into conversation with a neighbour down the road busily working on a rather cool looking electric blue MG Midget. ‘Oh it’s you who makes all that racket revving and driving up and down the street!’ I said. It turned out my neighbour, when not lovingly restoring a Vespa or a classic car or two, is a DJ and musician. ‘Hop in!’ he said. I had a short but exciting circuit of the local area, despite an alarming knock-knocking coming from underneath the Midget’s chassis. ‘Hm,’ said my musical neighbour thoughtfully after parking his car, and took out a variety of tools to start more tinkering. I asked him about his work.  He told me he’d once organised a variety act at London’s Hippodrome, including a tribute to music hall star Little Tich.

‘Little Tich!’ I exclaimed and told him how years before, I’d been at one of the National Portrait Gallery’s free concerts, with performances by the Kreutzer Quartet.  I always have a notebook in my pocket and began to take notes.

The Quartet played a piece by Stravinsky, with an intriguing somersault of notes apparently in homage to Little Tich.  Stravinsky was a fan of music hall, and had seen Little Tich in London. ‘Wait here, ‘ said my neighbour.  He went to his flat, rummaged around and produced a battered leather case.  Inside was a pair of extraordinary boots.  ‘We commissioned someone to copy the originals,’ he explained, ‘and a clown performed the trademark Big Boot Dance.‘  Wish I’d been there.

There’s another connection to Little Tich.  In 2019 I was fortunate enough to visit the wondrous House of Automata in Scotland, and photographed some of the automata there.  On one of the studio tables lay part of a Little Tich automaton, being lovingly restored.

 

 

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