Angels in the Fens

After hearing a compelling podcast by Robert Macfarlane about a church full of extraordinary angels I took a couple of trains to the small town of March in Cambridgeshire. The walk from the station to the church goes through the town for about a couple of miles, crossing the river Nene. I discovered afterwards the road is part of the Fen Causeway; before the marshland was drained, the church would probably have been on an island.  I’d noticed glints of small waterways on my train journey here, and the dark purple, almost black colour of the soil, due to its peatiness.

Earlier I’d contacted the Reverend Ruth at the church of St Wendreda, whose hammer beam roof space houses these winged marvels. Their wings are based on those of the hen or marsh harrier which would have been a common sight in the 16th century, when these were carved out of oak by two brothers, the Rollesburys of Norfolk.

I’m rather keen on angels, and was excited at the prospect of seeing 118 of them at one go.  There may actually be 120 angels, but they can be tricky to count. There are carved saints as well, including statues of St Wendreda, possibly a seventh century Saxon princess, and her sister of Ely fame, St Etheldreda.

To get a clearer sight of the angels, it’s best to lie on the church floor.  ‘Sometimes people have difficulty getting up again,’ Ruth said.  It’s not just the physical effort of getting up off the floor.  The angels are almost overwhelming.  How much more so if you lived hundreds of years ago, and were more aware of their spiritual meaning.

On one wall hang images of William and Alice Dredeman, who funded the carvings, exchanging Latin comments in elegant speech bubbles above their heads.  William, a canny Tudor networker, may be the reason the angels were never destroyed during the Reformation’s vandalism.  Or maybe the angels were just too high to reach? Sadly the angels are currently imperilled by a practical threat as the church spire is collapsing. As the Reverend Ruth kindly supplied tea and cake later she explained how it’s possible to sponsor an angel to provide funds needed to repair the spire.

Later this year I’m hoping to visit St Wendreda again and give a talk/run a workshop in aid of the fund. Dates to be confirmed.  Meanwhile I’ve added some dust, some of it drifted down from 16th century celestial beings, to my Museum of Dust.

 

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Sally Kindberg, the Sitwells, Pollocks Toy Theatres and the Ballets Russes

Renishaw Hall in Derbyshire is not far from where I grew up in Nottingham, and although born in Devon, most of my childhood was spent there, either in a decaying and freezing cold Gothic Victorian apartment or in my grandmother’s Edwardian house not far from Nottingham Castle. Like Renishaw, my grandmother’s house, on a considerably more modest scale, was frequently exorcised.

Edith Sitwell, poet, author, determined eccentric, 1920s rap artist, who described one of her hobbies as silence, was one of my teenage heroes, so on a recent visit to Renishaw Hall, courtesy of Alan Powers, Trustee of Pollocks Toy Museum, I took my battered copy of Edith’s ‘English Eccentrics’ with me, and posed it next to another photo of Edith.

A group of us, including artists, a historical hat maker, printmakers and the Associate Rector of St James’s Church Piccadilly, had travelled from London by coach up to Derbyshire. An overlong journey, but luckily I was sitting next to Jane the Hat so there were good conversations.

The visit was organised by Alan Powers to see his exhibition in Renishaw.  As the coach drove down into the village of Eckington, Alan channelled Edith and performed a fragment of her poem Facade, sadly without her famed Sengaphone – a type of megaphone – and impressed us all including Dean the coach driver.

The exhibition celebrates a meeting a hundred years ago when Edith’s brother Sacheverell Sitwell introduced Diaghilev of the Ballets Russes to the toy paper theatres of Pollocks and Webb in the east end of London. The bright, hand-coloured scenery and characters influenced the look and costumes of the the Triumph of Neptune ballet amongst others, the subject of the show at Renishaw.

The Hall is scattered with assorted treasures from the Sitwells’ travels, and hung with portraits of ancient Sitwells.  Alexandra Sitwell, Edith’s charming great-niece, who showed us round, assured us that the Hall isn’t a museum – the current family use it.  A saddle hung on a hook near an  door leading outside, and amongst the odd throne or two and elaborate tapestries were references to Alexandra’s favourite dachshund Moon.

One of the Hall guides told me as a child she had met Edith. ‘She was very kind to staff,’ she told me, ‘and had beautiful silver fingernails,’ This  reminded me of how the Sitwells had initially made their fortune centuries ago.  Iron ore was discovered on their land and was used to manufacture iron nails.  Before I left, I mentioned my Museum of Dust to Alexandra and asked her if I could possibly have a Sitwell sample to add to it?  Unfazed, she very kindly agreed, and the following week a tiny TipTree jam pot of dust arrived in the post, which has now been added to my Museum.  Not sure what Edith would have thought about it…

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Punch & Judy celebration May 2026

The first Punch and Judy show in Covent Garden was first mentioned by Samuel Pepys in 1662, but more recently Mr and Mrs Punch and family were joined by other puppets in the churchyard of St Paul’s Church.

When my daughter was very small, she attended a nursery close by, and if the weather was fine, the children were brought here for a break.  It was here in 2012 that I bumped into Professor Leslie Press, discovered his birthplace was on the street I live on, was invited to tea at his current house and eventually  held an exhibition about him in his old London home, which is now a hairdressers.

Today, Mr and Mrs Punch, carved by Fred Tickner, who also carved Professor Leslie Press’s puppets, were also having an outing from their home at Pollocks Toy Museum, watched over by Trustee Alan Powers.

 

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May Day 2026 by a windmill

It should have been sunny, it was the beginning of May after all, and the windmill was elusive. Sometimes I write about my travels, years ago qualified as a City of London Guide, and love maps – I drew them for the the Independent newspaper after all.

But that cloudy May afternoon I read my little map upside down and looked for the windmill on the left side of Brixton Hill rather than the right.  All was eventually well though, and I met up with jolly musicians and revellers many of whom seemed to know my daughter who’d lived in Brixton a few years ago, and greeted me as ‘her mum’.  One of the musicians wore a green cloak printed and sewn by my daughter. ‘I always wear it at festivals,’ she told me.

Jack in the Green paraded, a brass band played, a disconcerting horse pranced and snapped its teeth, the windmill ground bags of flour, then families danced round a maypole, resulting in tangled mayhem.

Later we were encouraged to fall on the Jack in the Green and dismantle his foliage.  Children screamed in delight as they tore off leaves and branches.  There was tea and cake, a formidable queue for the toilet, more music and dancing and great fun.  Who needs sunshine?

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The Museum of Dust travels to Doncaster

Last week it was out with bubble wrap and string again as the Museum of Dust had an exciting invitation to head for an ArtBomb event in Doncaster and needed to be carefully wrapped for its journey.  An experimental festival and pop-up art space situated in a shop, courtyard and the hall of the adjacent Unitarian Church, ArtBomb encourages events that are designed to provoke debate.

Having arrived in Doncaster on a sunny morning, I initially set up my Museum in the courtyard, introducing myself and chatting with people there, including Terry Hudson who runs The Little Anarchist Bookshop.  He kindly gave me one of his miniature books which I thought was intriguingly titled ‘Boot of Magic’ but actually was a ‘Book of Magic’.  I haven’t tried any of its spells yet.

There was music, tea and biscuits in the courtyard, with talks and events happening inside the hall so I moved my set-up there.  The theme of the day was ‘Beyond the Scroll’, and included talks about subverting ads, discussing homelessness and much more.  At one point I was suddenly handed a mic and asked to talk about dust and why I collected it.  ‘We are all made of stardust,‘ I blurted, and went on to talk about how I’d collected some of my samples.

After lunch I asked people what they’d like to collect and pop into a bottle, and encouraged them to draw their collections …

Someone drew her ‘nephew’s laughter’, Terry Hudson of the Anarchist Bookshop drew ‘conspiracy theorists’.

It was a very busy but short day … I had to leave early as I had a hospital appointment the next morning, but so enjoyed being part of the event if only briefly.  Everyone was super friendly, so many thanks to Mike Stubbs/ArtBomb and everyone who made my visit fun by chatting and drawing.  When I got home that evening I found an email from the Unitarian Church Reverend with a poem about stardust.  Marvellous!

Review in Absurd Intelligence

 

 

 

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Sally Kindberg in Cornwall once again

Sometimes only gazing at and walking by the sea can bring a momentary respite from the news of global ghastliness.  And I was almost born in the sea, after all, but in the Devon sea which lapped at the end of the garden where my mother lived and swam all the year round.  Here’s the view from my tiny but delightful room (meant for a child I think) where I stay in Penzance.  It looks over Mounts Bay, where an ancient drowned forest lies, towards Mousehole. This time the weather was fickle, but I walked over the headland during a glorious sunny day, and en route back through Newlyn you can buy the best icecream.

At Newlyn Art Gallery by chance I met The Seaweed Institute giving a talk, about seaweed of course, and talked with a man appropriately named River, who grows flowers by the river at Helston.

My walk towards St Michael’s Mount the next day was a bit thwarted by a sudden but intense downpour.  Church bells were ringing, so I nipped in to St Gulval’s Church which lies on the St Michael’s Pilgrimage route, and was made welcome by the small congregation as I dried out.  I’ve been there a few times, and met and chatted again with M the equestrienne, now aged nearly ninety three.  We discussed Appaloosas … more about that in another post.

 

 

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Doctor Who and TARDIS dust

This morning I heard on the radio that two missing episodes of the BBC Doctor Who series had been discovered, and my thoughts turned to my ever growing Museum of Dust. One day  a bottle full of very special dust arrived by post.  The bottle was from Doctor Who‘s library, and the dust was from his time machine the TARDIS.

The kind sender, who worked on the BBC set in Cardiff, had heard about my ongoing Museum of Dust project.  ‘The TARDIS gets very dusty,’ he explained, ‘and has to be regularly cleaned.’  It’s time the Museum of Dust started travelling again.

LATEST NEWS!  The Museum of Dust will appear at ArtBomb in Doncaster on April 16th.

 

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Robots, bots and AI

It’s true I have a penchant for robots … the clockwork ones in particular, but definitely not the crawler bots who’ve been visiting my site recently.  You know who you are … or possibly you don’t, although I’ve heard bot ‘intelligence’ increases daily, or maybe minute by minute.  Some of the more friendly ones live above my work desk.

Changes in AI and robotic activity are happening so fast it’s tricky to keep up.  Last weekend I joined about 150 people at a Pull the Plug People’s assembly to discuss how Anthropic, ChatGPT, Palantir etc are affecting our lives. I was possibly one of the oldest people there, and a bit late to this discussion, as I’d been delayed at home with, erm, some tech issues.

A young man sitting next to me at our table of eight took notes about our exchanges – mostly considering the importance of education about the implications of using AI, the need for legislation, and the protection of jobs and copyright – all subjects undergoing discussion by the Society of Authors, the Association of Illustrators, the Royal Literary Fund, the Good Law Project and many others.

AI affects all of us authors and illustrators as well as my occasional role running writing workshops in Sixth Forms for the RLF.  We discuss it certainly. Overall the feeling at this particular meeting was positive about the possibilities of effecting change. Long may that last!

A very low-tech robot features in one of my earliest children’s books, ‘Robotina Finds Out’, published by Faber.

Having travelled to Earth in a parcel, Robotina explores the Earth and meets some of its inhabitants. Eventually she becomes homesick for her own planet, and sets off home.  Understandable really.

 

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Snow Ghost

 

In May 2025 a BBC2 programme showed a venue called SantaClaus Village in Rovaneimi, Northern Finland, on the Arctic Circle, where tourists could visit Father Christmas all the year round and meet his attendant elves.  The unusual thing about this theme park – it’s built over a huge military bunker, where Finnish citizens can take shelter should war break out.  Since Finland joined NATO in 2023 there’s been an increase in Russian military activity on the Finnish border.  During the TV programme a selection of Finnish soldiers were interviewed, all of whom showed determination to defend their country if needed.

The programme stirred memories of Mr K, an elusive Finn who married my mother at a Devon registry office just before WW2.  Did she wear her special Finnish skirt, a present from Mr K?  There are no wedding photos.  My mother lived in a house overlooking a beach, next to a hotel then famous for its sprung ballroom floor.

Both of them enjoyed dancing the tango. I hope they had time to dance together before Mr K went back to Finland, where he later fought in the Winter War, in temperatures sometimes of  -40 degrees, defending the Finnish border against invading Soviets. In the spring of 1940 he became a Snow Ghost. These bare outlines are part of a slow work in progress in graphic form. Only a few (water stained) letters from Mr K to my mother still exist.

 

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Sally Kindberg and Palmers Pet Shop in Camden Town, London

Not far from London Zoo is the facade of what was once a famous pet shop.  It claimed Winston Churchill and Charlie Chaplin were its customers but who knows? Now it’s one of the ubiquitous Gail’s Cafes.

I saw neither the monkeys nor talking parrots before it was transformed into a cafe, but years ago was intrigued by the shop’s upstairs section.  It was up a narrow staircase, and had a sign saying children must be accompanied by adults.  A pale, bald man was in charge there.  There were huge African snails and a deep freeze holding an assortment of shrink-wrapped piglets.  ‘To feed snakes,’ he explained.  He told me a young man had tried to steal a large tarantula, concealing it under his coat, but didn’t make it downstairs.  ‘The tarantula’s hairy legs can cause a skin reaction.’ he said, ‘the thief started wriggling and dropped the spider before he made his escape.’  The tarantula was unhurt and unfazed apparently.  Although how can you gauge a giant spider’s mood?

The drawing is from one of my Draw It! books.

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