After hearing a compelling podcast by Robert Macfarlane about a church full of extraordinary angels I took a couple of trains to the small town of March in Cambridgeshire. The walk from the station to the church goes through the town for about a couple of miles, crossing the river Nene. I discovered afterwards the road is part of the Fen Causeway; before the marshland was drained, the church would probably have been on an island. I’d noticed glints of small waterways on my train journey here, and the dark purple, almost black colour of the soil, due to its peatiness.
Earlier I’d contacted the Reverend Ruth at the church of St Wendreda, whose hammer beam roof space houses these winged marvels. Their wings are based on those of the hen or marsh harrier which would have been a common sight in the 16th century, when these were carved out of oak by two brothers, the Rollesburys of Norfolk.

I’m rather keen on angels, and was excited at the prospect of seeing 118 of them at one go. There may actually be 120 angels, but they can be tricky to count. There are carved saints as well, including statues of St Wendreda, possibly a seventh century Saxon princess, and her sister of Ely fame, St Etheldreda.

To get a clearer sight of the angels, it’s best to lie on the church floor. ‘Sometimes people have difficulty getting up again,’ Ruth said. It’s not just the physical effort of getting up off the floor. The angels are almost overwhelming. How much more so if you lived hundreds of years ago, and were more aware of their spiritual meaning.

On one wall hang images of William and Alice Dredeman, who funded the carvings, exchanging Latin comments in elegant speech bubbles above their heads. William, a canny Tudor networker, may be the reason the angels were never destroyed during the Reformation’s vandalism. Or maybe the angels were just too high to reach? Sadly the angels are currently imperilled by a practical threat as the church spire is collapsing. As the Reverend Ruth kindly supplied tea and cake later she explained how it’s possible to sponsor an angel to provide funds needed to repair the spire.

Later this year I’m hoping to visit St Wendreda again and give a talk/run a workshop in aid of the fund. Dates to be confirmed. Meanwhile I’ve added some dust, some of it drifted down from 16th century celestial beings, to my Museum of Dust.











The Hall is scattered with assorted treasures from the Sitwells’ travels, and hung with portraits of ancient Sitwells. Alexandra Sitwell, Edith’s charming great-niece, who showed us round, assured us that the Hall isn’t a museum – the current family use it. A saddle hung on a hook near an door leading outside, and amongst the odd throne or two and elaborate tapestries were references to Alexandra’s favourite dachshund Moon.

The first Punch and Judy show in Covent Garden was first mentioned by Samuel Pepys in 1662, but more recently Mr and Mrs Punch and family were joined by other puppets in the churchyard of St Paul’s Church.
Today, Mr and Mrs Punch, carved by Fred Tickner, who also carved Professor Leslie Press’s puppets, were also having an outing from their home at 


It should have been sunny, it was the beginning of May after all, and the windmill was elusive. Sometimes I write about my 






Last week it was out with bubble wrap and string again as the 




It was a very busy but short day … I had to leave early as I had a hospital appointment the next morning, but so enjoyed being part of the event if only briefly. Everyone was super friendly, so many thanks to
Sometimes only gazing at and walking by the sea can bring a momentary respite from the news of global ghastliness. And I was almost born in the sea, after all, but in the Devon sea which lapped at the end of the garden where my mother lived and swam all the year round. Here’s the view from my tiny but delightful room (meant for a child I think) where I stay in Penzance. It looks over Mounts Bay, where an ancient drowned forest lies, towards 







The kind sender, who worked on the BBC set in Cardiff, had heard about my ongoing 

Changes in AI and robotic activity are happening so fast it’s tricky to keep up. Last weekend I joined about 150 people at a 
AI affects all of us authors and illustrators as well as my occasional role running writing workshops in
A very low-tech robot features in one of my earliest
Having travelled to Earth in a parcel, Robotina explores the Earth and meets some of its inhabitants.
Eventually she becomes homesick for her own planet, and sets off home. Understandable really. 





Not far from
I saw neither the monkeys nor talking parrots before it was transformed into a cafe, but years ago was intrigued by the shop’s upstairs section. It was up a narrow staircase, and had a sign saying children must be accompanied by adults. A pale, bald man was in charge there. There were huge African snails and a deep freeze holding an assortment of shrink-wrapped piglets. ‘To feed snakes,’ he explained. He told me a young man had tried to steal a large tarantula, concealing it under his coat, but didn’t make it downstairs. ‘The tarantula’s hairy legs can cause a skin reaction.’ he said, ‘the thief started wriggling and dropped the spider before he made his escape.’ The tarantula was unhurt and unfazed apparently. Although how can you gauge a giant spider’s mood?
The drawing is from one of my 